10 Horror Movies to Watch this Lunar New Year

From vampiric kung fu comedies to South Korean psychological thrillers 

by Alex Secilmis 17 February 2026

© Cineclick Asia

While often colloquially referred to as “Chinese New Year”, the Lunar New Year is celebrated by many countries across Asia—countries with criminally under-seen and underrated horror movie catalogues.

To get your festivities started, we’ve assembled a chilling list of everything from Hong Kong vampire kung fu comedies to Thai found footage folk horror.

Three… Extremes (Hong Kong, South Korea, Japan, 2004)

© Lionsgate

Three genre film specialists, Fruit Chan, Park Chan-wook, and Takashi Miike, each contribute a brutal entry to this horror anthology. If that’s not enough to sell you, Park’s segment, “The Cut”, marks his second collaboration with his No Other Choice star Lee Byung-hun.

A Chinese Ghost Story (Hong Kong, 1987)

© Film Workshop

A tax collector spends the night in a haunted temple and falls for a young woman. The catch? She’s a ghost, and he has to descend into the pits of hell to set her free. If The Evil Dead were infused with a charming romance, zombie skeletons, and the wuxia genre, you would have A Chinese Ghost Story.

A Tale of Two Sisters (South Korea, 2003)

© Cineclick Asia

A mental institution patient returns home with her sister, only to face a haunted house and an evil stepmother. Kim Jee-woon’s acclaimed psychological horror film inspired an English-language remake, The Uninvited.

Mr. Vampire (Hong Kong, 1985)

© Golden Harvest

After a reburial-gone-wrong unleashes a jiangshi (a “hopping vampire”), a Taoist priest and his two students race to defeat the undead creature in this riotous kung fu horror comedy. The film was a blockbuster hit, spawned a franchise, and launched the career of prolific director Ricky Lau.

Song at Midnight (China, 1937)

© Xinhua Film Company

Widely considered the first Chinese horror film, this musical adapts The Phantom of the Opera while also exploring the country’s political unrest head-on. The primary subplot centres on Chinese leftist revolutionaries.

The Medium (Thailand, 2021)

© GDH 559

A documentary crew travels to the Isan region of Thailand to interview a medium claiming to be possessed by the spirit of Ba Yan, a local deity. When her niece starts exhibiting strange behaviour, she believes that Ba Yan has chosen her next host—she is sorely mistaken.

The Ancestral Home (Vietnam, 2025)

© Infinity Entertainment

In this hit horror comedy, a Gen Z content creator returns to her hometown for viral material, but she’s met instead by the ghost of her dead brother and a horde of greedy relatives.

Incantation (Taiwan, 2022) 

© Netflix

Distributed internationally on Netflix, this fourth-wall-breaking found footage folk horror film follows a newly pregnant woman who breaks a religious taboo. Six years later, when the resulting curse hunts her down, she must protect her daughter from malevolent spirits.

Impetigore (Indonesia, 2019)

© Shudder

The good news: a woman inherits a house in her ancestral village. The bad? She doesn’t know that her community has been trying to find and kill her to remove a curse.

Roh (Malaysia, 2019)

© Netflix

Living in a forest, a widowed mother and her two children meet a strange young girl. But when they take her in, she delivers a terrifying prophecy: they will all be dead by the next full moon. Later released on Netflix in 2021, this critically-acclaimed indie chiller is a slow-burn steeped in Malaysian folk horror.

Bonus: Nocebo (Irish-Filipino, 2022)

© Shudder

A fashion designer (Eva Green) plagued with a mysterious illness seeks help through the traditional folk healing of a Filipino carer (Chai Fonacier). An international co-production, Lorcan Finnegan’s social horror finds parallels in the Filipino and Irish experiences of colonialism, while local filmmaker Ara Chawdhury served as a consultant writer.

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