Over Your Dead Body Review: Samara Weaving and Jason Segel Try to Kill Each Other in Ultra-Gory Couples Retreat Comedy

Juliette Lewis and Timothy Olyphant co-star in Jorma Taccone’s film about a bickering married couple whose resentment turns murderous

by Alex Kaan 24 April 2026

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As far as loglines go, it’s hard to top Over Your Dead Body’s: “When miserable couple Dan and Lisa retreat to a remote cabin for a romantic reset, each arrives with a secret plan to murder the other.” Of course, it’s one thing to write a snappy synopsis and another to take that entry point and turn it into a tense 1-hour and 45-minute genre mash-up—but director Jorma Taccone (of SNL and The Lonely Island fame) takes a vigorous stab at it. A pitch-black horror comedy about a homicidal couple caught in a home-invasion thriller, Over Your Dead Body is a wild blend of Funny Games and The War of the Roses with laughs as big as its gross-out gags.

An English-language remake of The Trip (2021) from Norwegian genre specialist Tommy Wirkola (Thrash), the film opens with Dan (Jason Segel), a struggling filmmaker relegated to directing corny advertisements, as he tells a co-worker that he’s going up to his Upstate New York lakeside cabin with his wife, down-on-her-luck actress Lisa (Samara Weaving)—while hilariously solidifying his alibi by emphatically underlining that she plans on taking a dangerous solo hike. Right from the drive, despite their efforts to keep things civil, the pair quarrel endlessly. The first twist comes when it turns out that Lisa pulls a gun on Dan; the second when their plans to off each other are hijacked by a deranged trio: a prison guard, Allegra (Juliette Lewis), her criminal beau, Pete (Timothy Olyphant), and fellow escaped convict, Todd (Keith Jardine).

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For all its carnage, the bloody action-comedy hinges on its disastrously dysfunctional couple. As the two leads, Jason Segel offers excellent comic timing while Samara Weaving brings her explosive Scream Queen sensibilities—playing a bitter version of her Ready or Not Final Girl without the wedding dress. Segel, known for a series of lovable goofball roles from How I Met Your Mother to The Muppets and now Shrinking, plays against type to superb effect. While Dan would like to believe his wife is the culpable, callous villain (everything sounds so mean in her Australian accent, he points out in an improvised line, adding, “It’s like British crossed with the devil”), Segel brings the character to life as a very human blend of meek and passive-aggressive. Weaving is the perfect sparring partner, squeezing the humour out of the fed-up spouse archetype, though her character is underserved in comparison to Segel’s, and she deserves a little more fleshing out—especially with Weaving in the role.

Taccone directs from a script by Nick Kocher and Brian McElhaney (an Internet comedy duo whose directorial debut, stoner comedy Pizza Movie, also premiered at SXSW). All three served as writers on Saturday Night Live, and there’s a welcome element of escalating absurdist sketch comedy at the heart of Over Your Dead Body. Still, after a battle of wits between Weaving and Segel, Taccone, Kocher, and McElhaney lose control of their darkly comedic tonal blend. When the criminal trio are added to the mix, the film initially receives a jolt of energy, but that’s stalled by an extended set piece centred on sexual assault as the escaped inmates try to recreate a “game” they played in prison. I’m not puritanically opposed to such topics being explored, but the smug way that rape is condensed to a punchline, and the way that punchline is then belaboured, destabilises the film. Couple that scene with a repetitive middle section, and it makes for a difficult watch.

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However, when its momentum starts to lag, and its edgy humour turns from amusing to tasteless, Over Your Dead Body is saved by a superb, chaotic finale filled with riotous humour and gruesome practical effects. Every member of the ensemble gives a visceral performance as they get maimed, shot, stabbed, or attacked by a lawnmower. Where the middling second act was plagued by overwrought bleak humour with a violent undertone, the third is a relentless, gonzo rollercoaster that yields plenty of belly laughs.

A delicate mix of genre and tone that almost unravels, Over Your Dead Body sticks the landing thanks to a winning pair of leads and a wicked sense of humour driving its climactic gore-fest.

Over Your Dead Body is now playing in US theatres.

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