Bucking Fastard Review: Kate and Rooney Mara Are Superb as Creepy, Inseparable Sisters in Werner Herzog’s Trippy Dramedy

Venice Film Festival: The real-life siblings lead the renowned German filmmaker’s first narrative film in seven years with a must-see dual performance

by Alex Kaan 4 September 2026

Courtesy of the Venice Film Festival

If the twins from The Shining grew up and were transported from the Overlook Hotel to the streets of Dublin, swapping horror for whimsical tragicomedy, then you have the basic framework of Bucking Fastard, Werner Herzog’s enchanting story of two sisters (real-life siblings Kate and Rooney Mara) who dress the same, speak in unison, and even love the same man.

Marking the 83-year-old filmmaker’s first narrative feature since the 2019 drama Family Romance LLC, Bucking Fastard sees Herzog dramatise the lives of Freda and Greta Chaplin, inseparable twins who achieved tabloid notoriety for dressing alike and speaking the same words at the same time during a 1980s court case, in which they were ultimately sentenced to a month in prison for harassing a local truck driver. The writer-director takes this incident as a starting point, changing the setting from York to Dublin and casting the Mara siblings as Jean and Joan Holbrooke, who here are sisters, not twins.

Courtesy of the Venice Film Festival

Far from a biography, the film uses the real-life story as the launching pad for an surreal, surprisingly touching dramedy anchored by a mesmerising dual turn from Kate and Rooney Mara. We begin in a Dublin courtroom, where Jean and Joan are called to the witness stand as their neighbour and shared love interest, Mr Mulroney (Orlando Bloom), seeks to file a restraining order against them. Sporting a thick Irish accent, Bloom has plenty of fun as a rakish married man who thoroughly enjoyed a brief affair with the sisters (he unsubtly refers to them as his “cowgirls”), but while he tells the jury the relationship was “only sexual”, the Holbrookes — often giddy and smiling —  declare he is “the love of our lives”. When they must answer for their various modes of harassing Mulroney, several counts of arson included, they ask the court, speaking in two as always, “Is it a crime to love?”

Taking a somewhat episodic approach, the film moves from scene to scene with a dreamlike sense of pace, as the sisters find an unlikely friend in a benevolent landlord (John Kavanagh) and try to work on their crippling co-dependency — the pair can’t clean the house without holding the vacuum at the same time — with the help of an attentive social worker (Domhnall Gleeson).

Courtesy of the Venice Film Festival

Kate and Rooney Mara’s two-as-one turn is endlessly amusing, but the near 2-hour film would feel like a slog if it were really just a gimmick. Instead, the actresses, appearing on screen together for the first time, deliver a masterclass of a performance. Mining the many wacky scenarios for all their absurdist humour, their synchronised comedic timing is a sight to behold, while they also peel back the layers on the initial “joke” of the lovesick sisters to deliver a deeply moving portrait of conjoined loneliness.

A late career-highlight for Werner Herzog, Bucking Fastard is a hilarious and heartbreaking marvel of a film centred on a spectacular Kate and Rooney Mara.

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