Crystal Lake Review: Linda Cardellini is Extraordinary in Gory Friday the 13th Prequel That Does Nostalgia Right
Full series review: Jason Voorhees’ mother, Pamela (Cardellini), takes centre stage in this A24-produced prequel series from Brad Caleb Kane (It: Welcome to Derry)
by Alex Kaan 13 October 2026
Peacock / Matt Infante
You don’t go to a Friday the 13th film looking for depth. That’s not to undermine the skill that has gone into making these lurid spectacles, but if ever there was a franchise that encapsulates the slasher’s surface-level blend of sex and death, it is the saga of horny teens stalked and murdered by Jason Voorhees: the resurrected hockey mask-wearing antagonist who drowned as a child when two negligent camp counsellors were too busy fornicating to look after him. What many forget is that, before Jason went to hell and outer space, the original 1980 film had an entirely different villain altogether: his mother, Pamela.
With elements of old-fashioned slashers, Rosemary’s Baby-esque psychological horror, and 70s conspiracy thrillers, Crystal Lake is a stylish multi-genre pastiche and a uniquely emotional reimagining of the Friday the 13th franchise. Showrunner Brad Caleb Kane (who has experience turning beloved horror IP into a long-form story via It: Welcome to Derry) derives that emotion by centring the story on Pam Voorhees (Linda Cardellini, fresh off an Emmy win for her role in DTF St. Louis), and turning Jason’s death from a thrilling campfire story into a devastating tragedy by humanising the infamous killer and foregrounding his mother’s horrific screams.
Peacock / Matt Infante
With the series picking up a year after the tragedy, Pam’s grief is surrounded by a vivid portrait of the titular small-town and its colourful characters, from the stoic sheriff, Levon Brooks (William Catlett), to his oafish partner, Dorf (Cameron Scoggins), from the bubbly Rita (Joy Suprano) to the “Crazy” Ralph (Nick Cordileone, playing the iconic harbinger-of-doom character from the first two films). There’s also the late Jason’s only friend, Grace (Gwendolyn Sundstrom), a young girl who Pam grows close to as she misses her role as a mother. Angered by how the town has moved on from Jason’s death — a frustration compounded by the re-opening of the summer camp — Pam can’t shake the feeling that her son, whose body was never recovered, is still alive. Moreover, a disastrous chain of events is set into motion when a pair of strangers turn up at her door with questions about her past.
As a character study of a slasher villain, Crystal Lake belongs to a fabulous Linda Cardellini, who balances Pam Voorhees’ duelling personas of sweet mother and psycho killer with aplomb. William Catlett is another standout as the noble sheriff trying both to woo Pam and solve a string of murders, while Devin Kessler also impresses as Levon’s journalist sister, Briana, whose storyline steers the series into paranoid thriller territory.
Peacock / Matt Infante
Revering its IP without succumbing to vapid nostalgia, Crystal Lake indulges in plenty of fan service while maintaining a sharp subversive edge, directly recreating some of the series’ most iconic shots but with increasingly surprising twists. Where it excels in its status as a fresh homage, it does occasionally struggle to balance its differing tones, and while it is playful, a bit more of the franchise’s camp stylings would have been welcome. Moreover, as a slow-burn, the pacing stumbles around the halfway mark, but the bump in the road is quickly forgiven when Kane and co. pick up the slack at the start of the sixth episode and dial up the thrills as they approach the finale.
Balancing atmospheric small-town psychological horror with dashes of outrageous gore worthy of some of the franchise’s best kills, Crystal Lake resurrects Friday the 13th with a smart, stylish, and unusually touching reinvention that still delivers the requisite lurid, bloody fun.
All episodes of Crystal Lake are streaming in the US on Peacock from October 15th and in the UK on Sky and NOW from October 19th.