Phantasmag's Horror Holiday Gift Guide

Juliette Gariépy on 'Red Rooms': “I Can’t Listen to Any More True Crime Podcasts”

Bryan Fuller on Hannibal and Will's "Physical Intimacy" in a Potential Season 4

'Wednesday' Season 2 Post-Mortem with Director Angela Robinson

'Keeper' Review: Convoluted Cabin Fever Thriller is a Misfire for Osgood Perkins

15 Alternative 'Frankenstein' Films: From 'Frankenhooker' to 'Frankenweenie'

Dissecting 'Frankenstein' with Costume Designer Kate Hawley

Daughter of Darkness: How "Queens of the Dead" Director Tina Romero Queered the Zombie Film

What "Him" Got Right: Analysing Its Rich Religious Imagery and Tortured Body Politics

"Wake Up Dead Man" Review: Gothic "Knives Out" Threequel is Droll but Uneven Fun

"Demons" at 40: Cinema as Contagion

[Exclusive] Addison Rae Reveals Her Favourite Horror Films Ahead of Netflix's "Monster" Premiere

Payton McCarty-Simas on Hunting the Witch in American Cinema

Let’s Do the Time Warp Again! 50 Years of "The Rocky Horror Picture Show"

"The Long Walk" Review: Grisly Stephen King Dystopian Thriller Hits Close to the Bone

"The Holy Boy" Review: Queer Horror Takes the Italian Mountains in a Ferocious Folk Tale

"Boorman and the Devil" Review: A Masterful Documentary on "Exorcist II: The Heretic"

"After the Hunt" Review: Guadagnino Tackles Gen Z and #MeToo in a Provocative but Misguided Thriller

"100 Nights of Hero" Review: Emma Corrin, Maika Monroe, and Charli XCX Enchant in Feminist Fable

"No Other Choice" Review: Park Chan-wook’s (Serial) Killer Anti-Capitalist Comedy

"Bugonia" Review: Jesse Plemons Thinks Emma Stone is an Alien in a Bitter, Brilliant Thriller

"Frankenstein" Review: Guillermo del Toro’s Gorgeous, Gothic Reanimation is a Masterpiece

"The Serpent's Skin" Review: Spellbinding Queer Horror Film Has Witches, Demons, and Heart

"Mother of Flies" Review: The Adams Family Deliver Witchy Woodland Fun with a Punk Rock Twist

"Daughters of Darkness" Review: Lesbian Vampire Thriller is a Sumptuous, Psychosexual Delight

Director Carter Smith on the Queer Body Horror of "Swallowed"

Goodbye, Season of the Witch: "Weapons" Marks the End of an Era for Feminist Witch Films

"I Know What You Did Last Summer" Is a Car Crash of a Legacy Sequel

How "M3GAN 2.0" Became a Queer Horror Blockbuster Bomb (And Why You Should Still Give it a Chance)

"The Vatican Versus Horror Movies" Review: A Fascinating Deep Dive into Horror History

"28 Years Later" Review: An Instant British Horror Classic

"Honey Don't!" Review: An A-Grade Margaret Qualley Leads a Queer B-Movie Mystery

"Dangerous Animals" Review: Inventive Shark Horror is Violent Fun

"The History of Sound" Review: A Captivating Paul Mescal Pines for Josh O'Connor

"Alpha" Review: Julia Ducournau Switches Gears in Devastating Body Horror Family Drama

"Pillion" Review: Alexander Skarsgård and Harry Melling Shine in a Sexy Dom/Sub Biker Rom-Com

"Die My Love" Review: Jennifer Lawrence is Electric in Sweltering Postpartum Psychodrama

"Eddington" Review: Modern-Day Western Goes Off the Rails with a Whimper

"Welcome to Lynchland" Review: A Taut, Touching Tribute

"Sinners" Review: A Cinematic Tapestry of Black Culture, Music, and Horror

How Pierre-Olivier Persin Made a Body Horror Buffet

Why the Oscars Will Never Take Horror Seriously (And That's Okay)

Graphic Design: Unpacking "American Horror Story"'s Main Titles With Kyle Cooper

Reanimating the 80s: Breaking Down the Fashion of "Lisa Frankenstein" with Meagan McLaughlin Luster

Such Sights to Show Us: Revisiting Hellraiser with Costume Designer Jane Wildgoose

Corey Vega's Cursed VHS Tape: How a Superfan Co-Created the Main Titles for "AHS: 1984"